{"id":2267,"date":"2021-06-04T20:59:32","date_gmt":"2021-06-05T03:59:32","guid":{"rendered":"https:\/\/cultureisglobal.org\/staging\/?p=2267"},"modified":"2021-07-28T04:42:46","modified_gmt":"2021-07-28T11:42:46","slug":"bauhaus-and-i-m-pei-opening-of-exhibition-and-international-design-summit","status":"publish","type":"post","link":"https:\/\/cultureisglobal.org\/staging\/bauhaus-and-i-m-pei-opening-of-exhibition-and-international-design-summit\/","title":{"rendered":"Bauhaus and I.M.Pei-opening of exhibition and international Design Summit"},"content":{"rendered":"\n

11\/02\/2019<\/p>\n\n\n\n

Ieoh Ming (I.M.) Pei died on May 16, 2019, at the age of 102. Over six decades, the Pritzker Prize-winning architect developed an inimitable sensitivity to form, light, environment, and history that transcended the rationalism of his Bauhaus education. The ideas he pursued and refined throughout his celebrated career can be traced back to his time at Harvard\u2019s Graduate School of Design.<\/p>\n\n\n\n

Pei came to the GSD in 1942 to study with Bauhaus founder Walter Gropius and his prot\u00e9g\u00e9 Marcel Breuer, and he stayed on after graduating in 1946 to teach for two years. His architecture thesis, a project that culminated his time as a student, was a design for a Chinese art museum for the city of Shanghai. It proposed a series of small galleries conjoined with gardens at a scale that evoked a sense of privacy traditional to Chinese art museums. But it also represented a thoroughly modern design and foretold a deepening interest in the interdependence of physical space, light, and environment\u2014the built environment and the natural world.<\/p>\n\n\n\n

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